Stage and Cinema film and theatre reviews
 

 

A COMEDIC HOMAGE TO A 1970S FILMS GENRE

 

picture - Black DynamiteFilm Review

by William Gooch

published May 22, 2009

 

Black Dynamite

scheduled to open September 4, 2009

 

Macho guys in tight knit pants, feisty sistagirls, karate kicks, and corrupt white cops often defined the black action films of the 1970s.  Most African Americans of a certain age are all too familiar with the urban swagger of Fred Williamson, the athleticism of Jim Kelly, and the in-your-face sexiness of Pam Grier and Gloria Hendry. This film genre—later dubbed blaxploitation by some African American civil rights organizations that felt these films were lacking in social value—was the first time that African Americans got to see strong black male and female cinematic images that were empowered by an urban community and not afraid of the establishment. In its own way, blaxploitation films of the 1970s created self-assured, but flawed, black characters that were visually realizing what black folks were thinking and feeling.

 

In Black Dynamite, ex-CIA commando Black Dynamite (Michael Jai White) is out to revenge the death of brother and rid his hood of drugs that have been pumped into local orphanages. With an urban street swagger and karate moves that won’t quit, Black Dynamite takes his street-cleaning campaign from the crime-ridden ghetto all the way to hallowed institutions of power.

 

This comedic homage to black films of the 70s employs a cohesive storyline and some well-developed characters, which elevates this film from a series of hip one-liners and screen gags. Unlike Keenan Ivory Wayans’ spoof-heavy I’m Gonna Get You Sucka, Black Dynamite uses dry humor as its comedic weapon of choice. Overhead, hanging microphones conjure up images of inexperienced directors; rhythmic double talk and circuitous, urban conspiracy theories that lead nowhere brings a flashback to street vernacular of the 70s; and cartoonish, overdressed pimps with soaring oratory summon up images of Antonio Fargas’ “Huggy Bear” from Starsky and Hutch.

 

picture - Black DynamiteDirector Scott Sanders borrows heavily from such iconic black action films as Shaft, Black Belt Jones, and Black Caesar. There are numerous car chases, badass karate battles, infusions of Black Power rhetoric, as well as comedic images of the crime underworld. Pimps and street hustlers—though traffickers of street trade and illegal activities—are sometimes benevolent and united against The Man, and madams and hookers have hearts of gold. By humorously shading these stereotypes with a patina of humanity, Sanders transforms the politically incorrect into palatable and likable extensions of the urban community.

 

As Black Dynamite, Michael Jai White gives a tour-de-force performance as the black action hero archetype that is streetwise, swaying the affections of all women and divining the diabolical maneuvers of 'The Man. White’s dry, tongue-in-cheek delivery works well in this parody because you never take his character too seriously. Every karate battle ends with a lackadaisical, blank shrug; breadcrumb clues easily lead to diabolical crimes; intimacy is as simple and easy as changing shirts.

 

Above all, Black Dynamite is an ensemble effort. Standouts in the cast are Salli Richardson-Whitfield (Gloria) as the militant Angela Davis–type sistagirl; Phil Morris (Saheed) as a black panther–type community leader; Arsenio Hall as the pimp, Tasty Freeze; Byron Minns as Black Dynamite’s sidekick, Bullhorn; and Tommy Davidson as the smooth-talking hustler, Cream Corn, who injects the perfect balance of humor and absurdity into all his scenes.

 

Blaxploitation films have often been relegated to the sidelines as an embarrassing, irrelevant genre that took the image of African Americans backward. Black Dynamite does not seek to correct that opinion. What Black Dynamite does do is use laughter as a way to pay tribute to a genre that was, if nothing else, entertaining. And maybe through the laughter,  we can re-examine this genre as part of the evolutionary continuum in black cinema.

 

williamgooch @ stageandcinema.com

 

read the panel discussion with Black Dynamite actor/writer Michael Jai White and director Scott Sanders

 

 

 
home
film
NYC theater
LA theater
DVD
Contests
interviews
extras
movie posters
links
privacy statement
contact us
site map

 

CLICK HERE TO PRINT THIS PAGE

Follow stageandcinema on Twitter

facebook logo