The Kids Are All Right – Movie Review
MEET THE SPERM DONAR
by Kevin Bowen
published July 3, 2010
The Kids Are All Right
limited release on July 9
American family need a good dick at its center?
focusing on a lesbian-headed family, The Kids Are All Right asks that question, whether
writer-director Lisa Cholodenko knows it or not. And it seems to say so, before it changes its mind and says no. I don’t know, and I’m not
sure the film does, either.
Joni (Alice in Wonderland star Mia Wasikowska) and Lazer (Josh Hutcherson) are the teenage children of a
lesbian couple. They decide to secretly track down the sperm donor who gave them life. From behind door number three steps the amiable
Paul (Mark Ruffalo). He is a motorcycle rider, a cool dude, and a little too talented at bedding women. The athletic brother and brainy
sister worry he might be weird, but it turns out he’s a nice, welcoming man.
As the children spend time with their new father, it places stress on the
relationship of the lesbian pair. They are already on the border of love and staleness, with low sex-drive, kitchen table bickering and
three-drink alcoholism. The domineering physician (Annette Bening) finds him threatening. The more moon-beamy one (Julianne Moore) finds
him intriguing. “Intriguing” might be a code word for something else.
Do the kids need
a father figure? They certainly seem thirsty for a male presence. Lazer takes quickly to shooting hoops with him, and the teen responds to
fatherly guidance with obedience. While the sheltered super-brain Joni has a girl-next-door personality, some of her behavior falls
squarely within the stereotype of “the girl who grew up without a father.” One mother wonders, “Are we not enough?” For a while it seems
like the answer is no, not entirely. That admission stands slightly at odds with the desire to put forth a positive vision of a lesbian
As a remedy, the
film gently turns the nice guy into a nice villain. It later apologizes and grants him a touch of unlikely redemption. One might look at this as generosity on Cholodenko’s part. I’m sure that’s how it is intended. But it
feels more like she really doesn’t know where to go. Ultimately, that’s a fair description of The
Kids Are All Right as a whole.
I’ll take a stab
and assume The Kids Are All Right will be hailed as a groundbreaking and politely controversial
film, a warm comedy placing before the American public a different kind of American family. That’s fair, but it is still undeniably a
sitcom. Clever sitcom, funny sitcom, but sitcom nonetheless. And while you enjoy spending time with these people, their personalities are
burned down to their tics, and their lives are burned down to the plot.
It will make you
laugh. It will make you cry. It will make you wonder, “Where are The Who?” Then you will scratch your head and leave the